The Hot Sardines

The Hot Sardines sound like a 1930s speakeasy that somehow survived into the 21st century without losing its edge or its sense of humor. It is a whirlwind of blustery brass, salty stride piano, and the rhythmic clatter of a live tap dancer who functions as a second drummer. The music is fundamentally physical, designed to make bodies move and rooms feel smaller and warmer.

What truly sets them apart is the 'one-of-the-boys' vocal delivery of Elizabeth Bougerol, who shifts effortlessly between English and French. There is a grit to their glamour; they treat jazz not as a museum piece to be studied, but as the rowdy pop music it originally was. The interplay between the piano and the brass section feels improvised and dangerous, yet the hooks are as catchy as any modern radio hit.

Start with their self-titled 2014 album to get the full breadth of their sound, from the high-octane swing of 'Bei Mir Bist Du Schoen' to the more intimate, smoky ballads. It is the perfect gateway for anyone who thinks jazz is too intellectual or polite.