Party Dozen

Party Dozen sounds like a riot happening inside a wind instrument. It is the sound of a saxophone being pushed far beyond its intended limits, fed through a chain of distortion pedals until it screams like an electric guitar or moans like a synthesizer. Underneath this melodic carnage is a relentless, muscular drumming style that feels less like a beat and more like a physical assault. It is loud, messy, and exhilaratingly unpredictable.

What makes them truly distinctive is the interplay between Kirsty Tickle and Jonathan Boulet. Tickle often sings or shouts directly into the bell of her saxophone, blurring the line between human voice and brass machine. The result is a texture that is simultaneously organic and industrial. They take the improvisational spirit of free jazz and strap it to the back of a noise-rock rocket, creating something that feels dangerous and alive.

Start with 'The Great Ape' or 'Macca the Mutt' to hear their signature blend of groove and grit. These tracks showcase their ability to find a hook in the middle of a hurricane, making them the perfect entry point for anyone who likes their music with a heavy dose of adrenaline and zero compromise.