High-velocity saxophone and drum dialogues that bridge the gap between free jazz and the grit of the London underground. Raw, rhythmic, and deeply physical.
Listening to Binker and Moses feels like witnessing a high-stakes conversation in a language you don't speak but perfectly understand. It is the sound of two musicians stripped of all safety nets, relying entirely on the telepathic connection between a tenor saxophone and a drum kit. The music is physical, often breathless, and carries the weight of the city in its bones.
What sets them apart is how they translate the energy of London's grime and electronic scenes into a jazz context. It isn't just about the notes; it's about the attack, the repetition, and the way Moses Boyd's drumming mimics the syncopation of a club track while Binker Golding pushes his horn to its absolute limit. Their later work introduces modular synthesis, adding a haunted, machine-like texture to their organic foundation.
Start with 'Feeding the Machine' to hear their modern, tech-infused evolution, or dive into 'Dem Ones' for the pure, unadulterated power of the original duo format. It is music for people who want jazz to feel dangerous again.
Shares free jazz, avant-garde jazz, dry intimate, saxophone (subgenre)
Shares free jazz, ebb and flow, avant-garde jazz, jazz fusion (subgenre)
Shares free jazz, avant-garde jazz, jazz fusion, saxophone (subgenre)
Shares free jazz, avant-garde jazz, jazz fusion, instrumental only (subgenre)
Shares free jazz, avant-garde jazz, jazz fusion, saxophone (subgenre)
Shares free jazz, drums, avant-garde jazz, jazz fusion (subgenre)
Shares free jazz, spiritual jazz, avant-garde jazz, cathartic (subgenre)
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