Allez Allez

Allez Allez sounds like the exact moment the stiff, angular tension of post-punk decided to loosen its tie and hit the disco. It is built on a foundation of incredibly tight, elastic basslines that feel like they are made of rubber, complemented by scratchy, rhythmic guitar work reminiscent of Nile Rodgers but filtered through a European art-school lens. The percussion is dense and polyrhythmic, creating a constant sense of forward motion that is impossible to ignore.

What truly sets them apart is the 'mutant disco' aesthetic. Unlike the polished pop-funk of the era, there is a grit and a slight unpredictability to their sound. Sarah Osborne’s vocals provide a cool, almost detached contrast to the frantic energy of the rhythm section, moving between breathy whispers and assertive commands. It is music that feels both sophisticated and primal, capturing the DIY spirit of the early 80s Belgian scene while aiming squarely at the hips.

Start with the 'African Queen' EP. It is the definitive statement of their sound, featuring their most iconic grooves and showcasing the chemistry that made them a brief but bright star in the European underground. It is perfect for anyone who loves the intersection of Talking Heads, ESG, and classic funk.