The Hitmen

The Hitmen deliver a quintessential slice of the early 1980s transition from punk's raw energy to the polished, synth-heavy sophistication of new wave. Their sound is defined by a restless, propulsive rhythm section and guitars that alternate between power-pop crunch and shimmering, chorus-drenched textures. There is a distinct sense of urban drama in their music, like a soundtrack to a film noir set in a neon-lit London.

What truly sets them apart is the interplay between Ben Watkins' visionary leadership and the sophisticated keyboard work of Alan Wilder. The arrangements are tight and disciplined, yet they possess a theatrical flair that hints at the darker, more atmospheric directions the members would later explore in projects like Depeche Mode and Recoil. It is music that feels both of its time and remarkably forward-thinking in its construction.

Start with the single 'Bates Motel' to hear their melodic sensibilities at their peak. It captures the band's ability to blend catchy hooks with a slightly paranoid, cinematic atmosphere. From there, 'Aim For The Feet' offers a broader look at their high-energy approach to the new wave template.