
Jangling college rock supergroup that turns baseball history into gritty, melodic storytelling. Perfect for long drives and sports obsessives.
The Baseball Project sounds like a high-fidelity garage band composed of the smartest guys in the room. It is built on the foundation of 1980s college rock, specifically the chime of R.E.M. and the psychedelic grit of The Dream Syndicate. The music is warm, organic, and driven by the unmistakable interplay of Peter Buck’s Rickenbacker and Steve Wynn’s more jagged guitar work. It feels lived-in, like a well-worn leather glove or a favorite t-shirt from a 1994 concert.
What makes them distinctive is their absolute commitment to a single, hyper-specific theme: the lore, tragedy, and triumph of baseball. This isn't just novelty music; it is a serious exploration of American mythology through the lens of power pop and Americana. They treat the stories of Mark Fidrych or Bill Buckner with the same weight a folk singer might treat a legendary outlaw, all while maintaining a breezy, infectious energy that keeps the songs from feeling like a history lecture.
Start with Volume 1: Frozen Ropes and Dying Quails. It perfectly captures the initial spark of the project, blending high-energy rock with poignant character studies. If you prefer a more polished, expansive sound, jump to 3rd, where the band fully settles into their identity as a formidable rock unit that just happens to only sing about the diamond.
The Baseball Project is a supergroup composed of Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon formed in 2007. The performers came together from discussions between McCaughey and Wynn at R.E.M.'s March 21, 2007 induction into the Rock and Roll Hall of Fame at the Waldorf-Astoria Hotel in New York City. They invited Buck to play bass guitar and Pitmon on drums and recorded their first album, Volume 1: Frozen Ropes and Dying Quails later that year. Their first public appearance was on The Late Show with David Letterman in June of 2008, preceding the release of any recorded material. Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara. Wynn is the former leader of The Dream Syndicate as well as Gutterball and has played with Pitmon in Steve Wynn & the Miracle 3. Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs). The band also recorded a 'real time' commentary on the 2010 baseball season for ESPN.com: one song every month made available as a free download. The collection was released in 2011 as The Broadside Ballads and also includes a few unreleased extra tracks from Volume 1: Frozen Ropes and Dying Quails and Volume 2: High and Inside. The second album from The Baseball Project, Volume 2: High and Inside, was released on March 1, 2011, on Yep Roc Records. The band followed the record's release with a tour covering the U.S. and appearances at spring training games in Arizona's Cactus League. Mike Mills begins touring regularly with the band in 2012, taking over bass duties from Peter Buck. Buck moves over to his signature 12-string guitar role around this time. Their third album, 3rd, includes Mike Mills playing bass on all tracks for the first time on a Baseball Project recording, and was released in 2014. Not long after that the band played a special show in Cooperstown, New York, at the Baseball Hall of Fame. In 2019 they played a 3-day residency at the Rock and Roll Hall of Fame in Cleveland as a part of the All-Star Game festivities in the city. Their fourth album, Grand Salami Time, was recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and was released on June 30, 2023, on Omnivore Recordings. Special guests on release include Stephen McCarthy of the Long Ryders and the Jayhawks and Steve Berlin of Los Lobos.

Shares analog warmth, live recording, hand played (production style); nostalgic, playful, wistful (moods)
Shares analog warmth, live recording, hand played (production style); americana, alternative rock (subgenres)
Shares alternative rock, power pop (subgenres); nostalgic, wistful, energetic (moods)
Shares americana, alternative rock, power pop (subgenres); analog warmth, live recording, studio polished (production style)
Shares nostalgic, playful, wistful (moods); analog warmth, live recording, studio polished (production style)

Shares analog warmth, live recording, hand played (production style); americana, alternative rock (subgenres)
Shares nostalgic, playful, wistful (moods); americana, alternative rock, power pop (subgenres)
Shares analog warmth, live recording, hand played (production style); americana, alternative rock (subgenres)
Shares playful, nostalgic, energetic (moods); studio polished, analog warmth, hand played (production style)
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