Glittering synth melodies paired with a deep, melancholic baritone. It is the sound of a lonely dance floor in the heart of a cold city.
First Hate captures the specific intersection of club-ready energy and bedroom-bound isolation. Their sound is built on a foundation of bright, almost sugary synth lines and sharp drum machine patterns that feel like a nod to 80s New Wave, yet the delivery is firmly rooted in the modern Scandinavian underground. It is music that feels both expansive and deeply private.
The defining characteristic of the duo is the contrast between their shimmering electronic arrangements and Anton Falck's deep, deadpan baritone. This vocal choice grounds the music, turning what could be simple pop songs into something more haunting and emotionally complex. It feels like a late-night internal monologue set to the beat of a distant disco.
Start with 'A Prayer for the Unemployed' to hear their most polished realization of this 'sad-dance' aesthetic. It is the perfect entry point for anyone who loves the aesthetic of the Copenhagen scene, where cold textures and warm emotions collide in the dark.
Shares darkwave, synth-pop, post-punk (subgenres); baritone, deadpan, crooning (vocal style)
Shares synth-pop, darkwave, new wave (subgenres); melancholic, nostalgic, restless (moods)
Shares synth-pop, darkwave, new wave (subgenres); melancholic, bittersweet, nostalgic (moods)
Shares synth-pop, darkwave, new wave (subgenres); baritone, deadpan, crooning (vocal style)
Shares darkwave, post-punk, synth-pop (subgenres); baritone, deadpan, crooning (vocal style)

Shares synth-pop, darkwave, new wave (subgenres); digital clarity, minimalist, drum machine (production style)
Shares synth-pop, darkwave, new wave (subgenres); melancholic, nostalgic, wistful (moods)
Shares synth-pop, darkwave, post-punk (subgenres); baritone, crooning, breathy (vocal style)
Shares deep baritone croon, baritone, new wave, darkwave (detail)
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