
Intricate, mathematically precise dub that feels like clockwork made of wood and smoke. Hypnotic rhythms for deep focus and late-night urban exploration.
Burnt Friedman creates music that occupies the strange, fertile ground between a jazz club and a physics laboratory. It is rhythmically obsessed, built on unusual time signatures and interlocking cycles that feel both ancient and futuristic. The sound is defined by a specific kind of 'dry' warmth: think of the sound of a wooden mallet hitting a vibraphone or the muted thud of a hand drum, all processed through the echoing, cavernous filters of classic dub. It is music that demands a certain level of attention but rewards it with a deep, hypnotic trance.
What truly sets Friedman apart is his rejection of the standard 4/4 electronic beat. He treats rhythm as a puzzle, often collaborating with legendary Can drummer Jaki Liebezeit to find grooves that feel organic yet alien. There is a tactile quality to his production; you can almost feel the grain of the instruments and the air in the room. It is sophisticated without being pretentious, maintaining a playful, exploratory spirit that keeps the listener slightly off-balance but always moving.
For those new to his sprawling catalog, 'First Night Forever' is the perfect entry point. It captures his ability to blend melodic accessibility with his signature rhythmic complexity. From there, explore his work with the Nu Dub Players for a more direct engagement with dub traditions, or dive into 'Bokoboko' to hear his most refined, skeletal experiments in groove. It is the ultimate soundtrack for when you want to feel both intellectually stimulated and physically grounded.
Bernd Friedmann (also Burnt Friedman) (born 1965 in Coburg, Germany) is a German musician and producer who works under a variety of project names in the fields of electronic music, dub and jazz. Friedmann was raised in Kassel, where he studied painting, performance and video at the Kunsthochschule Kassel from 1984 to 1990. His first recordings of found and self-built instruments, done with Wolfram Der Spyra from 1978 to 1982, were released under the name TOXH in 1989. Since then his projects have included: Some More Crime (1990-1995, Friedmann and Frank Hernandez) Drome (1991-1995, Friedmann and Frank Hernandez) Nonplace Urban Field (1992-1997) Flanger (1999-present, Friedmann and Atom Heart) Nine Horses (2005-present, Friedmann, David Sylvian, and Steve Jansen). Friedmann's instruments include ambient noise and speech samples, analog synthesizers and organs, as well as toy piano, steel drum, kalimba, vibraphone, and melodica. Since 2000 Friedmann runs his own "nonplace" label. He lives in Berlin.
Shares mysterious, contemplative, brooding (moods); dub, downtempo, ambient techno (subgenres)
Shares dub, nu jazz, downtempo (subgenres); absent, spoken word, processed (vocal style)
Shares dub, nu jazz, downtempo (subgenres); contemplative, mysterious, restless (moods)
Shares dub, downtempo, ambient techno (subgenres); absent, spoken word, processed (vocal style)
Shares mysterious, contemplative, restless (moods); downtempo, dub, ambient techno (subgenres)
Shares dub, nu jazz, downtempo (subgenres); mysterious, serene, contemplative (moods)
Shares dub, downtempo, ambient techno (subgenres); mysterious, brooding, contemplative (moods)
Shares nu jazz, downtempo, ambient techno (subgenres); mysterious, contemplative, restless (moods)
Shares dub, nu jazz, downtempo (subgenres); mysterious, contemplative, brooding (moods)
Shares mysterious, contemplative, brooding (moods); dub, downtempo, ambient techno (subgenres)
Shares dub, underwater, nu jazz, ambient techno (subgenre)
Shares dub, field recordings, underwater, ambient techno (subgenre)
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