Taming the Tiger
A late-career jazz-folk exploration defined by smoky, low-register vocals, Wayne Shorter's floating saxophone, and the unique, synthesized textures of virtual guitar.
September 28, 1998 · Reprise Records
A late-career jazz-folk exploration defined by smoky, low-register vocals, Wayne Shorter's floating saxophone, and the unique, synthesized textures of virtual guitar.
September 28, 1998 · Reprise Records
Low, smoky vocals drift through a forest of synthesized virtual guitar and late-night saxophone. You are listening to a quiet, late-career watercolor, painted in shades of cool jazz and digital mist.
How does Taming the Tiger sound next to the rest of Joni Mitchell's catalogue?
A heavy wash of reverb heavy production wraps the arrangements in a vast, liquid space, a dramatic departure that transforms her signature intimate acoustics into a series of glowing, distant mirages.
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