HomeCowboy JunkiesIn the Time Before Llamas
In the Time Before Llamas
Folk · 2003 · 16 tracks

In the Time Before Llamas

Live recordings from 1990-92, featuring Margo Timmins' breathy vocals over sparse, atmospheric folk-rock. Intimate, melancholic, and deeply reflective.

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In the Time Before Llamas offers a deeply intimate and atmospheric journey through Cowboy Junkies' early 90s live performances. It's an album that wraps around you like a worn blanket on a cold night, centered around Margo Timmins' distinctively breathy, almost whispered vocals. The arrangements are often sparse, allowing each instrument, be it a trembling acoustic guitar, a mournful harmonica, or a subtle accordion, to resonate with profound emotional weight. This isn't a high-energy rock show, but rather a collection of hushed, contemplative moments that invite deep listening and introspection.

Tracklist · 16 Tracks
01
You Will Be Loved Again
3:39
02
Thirty Summers
4:10
03
Blue Moon Revisited (a song for Elvis)
5:45
04
’Cause Cheap Is How I Feel
4:14
05
Two Hundred More Miles
5:44
06
Me and the Devil
5:12
07
Whalers / Mariner’s Song
7:10
08
Sun Comes Up It’s Tuesday Morning
3:59
09
Five Room Love Story
5:31
11
To Love Is to Bury
4:28
12
Southern Rain
5:02
13
Townes’ Blues
3:56
14
If You Gotta Go, Go Now
2:53
15
Black Eyed Man
3:17
16
Murder, Tonight in the Trailer Park
5:07
17
Hot Burrito No. 1
4:18
Moments Worth Listening For
The haunting, sparse arrangement of Robert Johnson's 'Me and the Devil', highlighting Margo's vocal fragility.
The shift to a fuller, more expansive sound on 'Southern Rain', showcasing the band's dynamic range beyond acoustic intimacy.
The tender, almost whispered delivery of 'Hot Burrito No. 1', making the Flying Burrito Brothers cover uniquely their own.
The subtle interplay between Margo's vocals and the understated accordion on 'You Will Be Loved Again', creating a deeply personal moment.

How does In the Time Before Llamas sound next to the rest of Cowboy Junkies's catalogue?

Live Recording+1.5σ

The production is pushed notably harder into live recording than this artist usually allows.

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