Massive bass-driven doom that pairs crushing low-end distortion with haunting, ethereal vocals. A heavy, minimalist duo for fans of slow-burn intensity.
Year of the Cobra is a Seattle-based duo consisting of Amy Tung Barrysmith and Jon Barrysmith, formed in 2015. They occupy a unique niche in the doom and stoner metal landscape by eschewing guitars entirely in favor of a heavily processed, multi-amped bass sound.
Their sound identity is built on the tension between 'crushing' and 'ethereal,' a dynamic bolstered by Amy's melodic, often whispered vocal delivery which contrasts sharply with the sludge-inflected riffs. Their career arc shows a rapid ascent, aided by high-profile production from Billy Anderson, whose work with Neurosis and Sleep provided the duo with a massive, naturalistic sonic footprint. Culturally, they represent a modern wave of Pacific Northwest doom that emphasizes atmosphere and melody over pure aggression. Critical consensus highlights their ability to make a duo format sound 'larger than life,' often comparing their rhythmic weight to peers like Monolord while noting their psychedelic sensibilities. They are a staple of the international stoner-doom festival circuit, bridging the gap between traditional doom laments and modern art-rock textures.
Shares stoner rock, ethereal, alto, sludge metal (subgenre)
Shares stoner rock, ethereal, sludge metal, doom metal (subgenre)
Shares stoner rock, ethereal, alto, doom metal (subgenre)
Shares stoner rock, ethereal, sludge metal, doom metal (subgenre)
Shares stoner rock, ethereal, alto, sludge metal (subgenre)
Shares stoner rock, ethereal, sludge metal, doom metal (subgenre)
Shares stoner rock, sludge metal, doom metal, psychedelic rock (subgenre)
Shares stoner rock, ethereal, sludge metal, doom metal (subgenre)
Shares stoner rock, ethereal, doom metal, psychedelic rock (subgenre)
Shares stoner rock, sludge metal, doom metal, psychedelic rock (subgenre)
Cassette uses generative AI to enrich its catalog. How we use AI →