High-impact bass music that collisions heavy-duty 'briddim' drops with cinematic, trance-inspired melodies. Massive, metallic, and built for the front row.
Wooli creates a sonic world where prehistoric power meets futuristic precision. His music is defined by a sharp duality: one moment you are floating through a lush, cinematic landscape of trance-inspired synths and soaring vocals, and the next you are being pummeled by 'briddim' drops that sound like mechanical mega-fauna. It is high-definition bass music that prioritizes physical impact without sacrificing emotional scale.
What sets him apart is his 'briddim' signature, a fusion of brostep's aggression and riddim's repetitive, staccato flow. He often incorporates literal elephant trumpets and massive orchestral swells that give his tracks a theatrical, almost mythological weight. The production is incredibly polished, ensuring that even the most chaotic, distorted bass growls maintain a crystalline clarity that cuts through any sound system.
Start with 'Island' to hear how he balances beauty with Seven Lions and Trivecta, then dive into 'Elephant March' to experience the pure, unadulterated heaviness that made him a staple of the modern dubstep scene. It is music for people who want to feel the bass in their chest but still have a melody to hum on the way home.
Adam Puleo, better known by his alias Wooli, is an American briddim, riddim and dubstep DJ and producer. He is known for the songs "Island" and "Another Me", with the prior being a collaboration with American dubstep producers Seven Lions and Trivecta and the latter being a collaboration with Seven Lions and Canadian producer and DJ Excision. "Island" peaked at the No. 20 position on Billboard's Dance/Electronic Digital Song Sales chart in early 2019. "Another Me" peaked on the Hot Dance/Electronic Songs at the No. 46 position in late 2019.
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Shares maximalist, digital clarity, compressed loud (production style); trap (subgenres)
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Shares maximalist, digital clarity, compressed loud (production style); melodic death metal, trap (subgenres)
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