
High-octane thrash riffs meet elastic funk basslines. Aggressive, socially conscious metal that demands to be heard and refuses to compromise.
Voice of Baceprot delivers a sonic punch that is as technically impressive as it is culturally vital. Their sound is built on the foundation of classic thrash metal speed, but it is the elastic, slap-heavy funk basslines that give the music its unique, propulsive bounce. It feels like a high-speed chase through a crowded city: dense, urgent, and constantly shifting gears between heavy chugging and rhythmic grooves.
What truly sets them apart is the friction between their traditional upbringing and their chosen medium. There is a palpable sense of liberation in every distorted chord and drum fill. They use the power trio format to its fullest extent, creating a wall of sound that feels much larger than three people, characterized by sharp staccato transitions and a vocal delivery that pivots from melodic hooks to rhythmic, almost percussive spoken-word sections.
Start with 'God, Allow Me (Please) to Play Music' to hear their mission statement. It perfectly encapsulates their ability to weave complex social questions into headbang-ready anthems that bridge the gap between 90s alternative metal and modern global rock.
Voice of Baceprot (Sundanese pronunciation: [ba.t͡ʃə.prot]; bah-che-prot, lit. 'loudness/noise')—often abbreviated as VOB—are an Indonesian all-female rock trio formed in Garut, West Java, in 2014. The group consists of Firda Marsya Kurnia (vocals and guitar), Widi Rahmawati (bass), and Euis Siti Aisyah (drums). They sing in English as well as Sundanese. The word baceprot means "noisy" in Sundanese. It is meant to represent the band's musical style.
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