
Delicate fingerstyle guitar and breathy harmonies that feel like a quiet conversation at 2 AM. Ethereal indie-folk for long drives and reflective solitude.
The Paper Kites are a cornerstone of the 2010s Australian indie-folk movement, emerging from Melbourne with a sound defined by Sam Bentley’s technical fingerstyle guitar and the band's sophisticated harmonic arrangements. Their trajectory moved from the 'stomp and holler' adjacent acoustic folk of the early 2010s toward a more polished, nocturnal indie-rock aesthetic.
A pivotal moment in their career was the release of 'Twelvefour' (2015), a concept album written exclusively between midnight and 4 AM, which solidified their reputation as masters of the 'late-night' atmosphere. Their work often features high-end production by collaborators like Peter Katis, emphasizing lush textures and analog warmth. Critically, they are praised for their consistency and ability to evolve without losing the hushed intimacy that first gained them a global audience through the viral success of the single 'Bloom.' They occupy a cultural space similar to Gregory Alan Isakov, bridging the gap between traditional folk storytelling and modern, cinematic soundscapes.
Shares cabin_in_woods, folk rock, indie folk, harmonized (atmosphere)
Shares chamber folk, cabin_in_woods, folk rock, indie folk (subgenre)
Shares chamber folk, cabin_in_woods, indie folk, dream pop (subgenre)
Shares chamber folk, cabin_in_woods, indie folk, tender (subgenre)
Shares banjo, chamber folk, cabin_in_woods, folk rock (instrumentation)
Shares cabin_in_woods, folk rock, indie folk, harmonized (atmosphere)
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