The Morning After Girls
Rock · AU · Active since 2003

The Morning After Girls

Swirling neo-psychedelia that balances 60s pop sensibilities with a heavy, reverb-soaked wall of sound. Perfect for late nights and high-speed drives.

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Intro

The Morning After Girls sound like the intersection of a hazy sunrise and a dark, crowded basement club. Their music is built on a foundation of propulsive, often motorik rhythms and thick layers of shimmering electric guitars that feel both vintage and modern. There is a distinct sense of momentum in their sound, a forward-leaning energy that keeps the psychedelic explorations from becoming too aimless or self-indulgent.

What truly sets them apart is the vocal interplay between Sacha Lucashenko and Martin B. Sleeman. Their harmonies are often delivered in a cool, detached manner that recalls the best of the 90s shoegaze movement, yet the melodies themselves have a sharp, 60s-inflected pop edge. It is a sophisticated blend of grit and gloss, where fuzzed-out guitar leads are frequently punctuated by bright tambourine hits and swirling organ textures.

For those looking to dive in, the compilation 'Shadows Evolve' or the album 'alone.' are the best places to start. They capture the band's ability to craft tight, catchy songs that are simultaneously submerged in a beautiful, echoing atmosphere. It's music for people who want the melodic clarity of The Beatles filtered through the sonic intensity of My Bloody Valentine.

The Morning After Girls are an Australian neo-psychedelic band. The group was originally formed in Melbourne, Victoria around 2003 by founding members Sacha Lucashenko (vocals and guitar) and Martin B. Sleeman (vocals and guitar), who relocated the group to New York City in 2008. Its American lineup included Alexander White (keyboards, percussion, backing vocals), EJ Hagen (bass guitar), and John Brodeur (drums). They returned to live performances in Australia in 2017. A new full-length album scheduled for 2022 was announced on LA's KCRW.
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Our Catalog2 Albums · 2005 · 2009
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