Electronic

Take

Dusty, bit-crushed instrumental hip-hop that feels like a cinematic journey through a futuristic urban landscape. Perfect for late-night city exploration.

Browse Catalog
Intro

Thomas Wilson, performing as Take (and later Sweatson Klank), is a foundational architect of the Los Angeles 'Beat Scene' that eventually birthed the Low End Theory movement. Emerging in the early 2000s, Wilson was a co-founder of Sketchbook, LA's first dedicated beat showcase.

His sound identity is defined by a sophisticated blend of formal music engineering and raw, sample-heavy experimentation. Critically, he is noted for 'molesting' jazz samples - deconstructing them through bit-crushing and guitar pedals to create a texture that is simultaneously warm and digital. His career arc moved from the dusty, abstract hip-hop of 'Earthtones & Concrete' toward the more polished, synth-heavy 'Only Mountain' on Alpha Pup Records. Wilson's work as a film composer for projects like 'The King of Kong' informs the cinematic scale of his solo work. He occupies a central node in the LA electronic web, connecting the crate-digging ethos of the 90s with the experimental IDM and glitch-hop of the 2010s.

Our Catalog3 Albums · 2003 · 2010
The Sound · Center of GravityWeighted across the artist's discography. Tap a trait for examples.
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