
Witty, classically-trained folk that moves from cabaret jazz to gospel with surgical precision. Intelligent songwriting for quiet rooms and long thoughts.
Susan Werner sounds like a conversation with the smartest person in the room who also happens to have a world-class soprano voice. Her music is rooted in the acoustic warmth of contemporary folk, but it is elevated by a technical precision that betrays her operatic training. Whether she is fingerpicking a guitar or leading a chamber ensemble, there is a crystalline clarity to her sound that makes every syllable feel intentional.
What sets her apart is her restless stylistic curiosity. She doesn't just play folk; she inhabits different musical worlds with the ease of a method actor. One album might explore the Great American Songbook through original cabaret tunes, while the next deconstructs the concept of faith through agnostic gospel. Her lyrics are famously sharp, blending biting social satire with a deep, empathetic connection to her Midwestern roots.
Start with 'I Can't Be New' if you want to hear her master the art of the sophisticated jazz standard, or 'The Gospel Truth' for a fascinating, intellectually rigorous take on spiritual music. For those who prefer a more traditional singer-songwriter experience, 'Time Between Trains' captures her at her most evocative and grounded.
Susan Werner (born 1965) is an American singer-songwriter. Much of Werner's work has been in the contemporary folk genre.
Shares vocal jazz, americana, cello, upright bass (subgenre)
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