Operatic vocals soaring over a shimmering wall of synthesizers. It is the sound of grief being transformed into something massive, beautiful, and deeply cathartic.
Listening to SRSQ feels like being caught in a beautiful, slow-motion tidal wave. The music is anchored by Kennedy Ashlyn's extraordinary voice, which moves from a fragile, breathy whisper to a powerful, operatic belt that can fill any space. It is dream pop that has been fortified with the structural weight of darkwave and the emotional intensity of a requiem. The synthesizers do not just play melodies; they create vast, atmospheric weather systems that swirl around the listener.
What truly distinguishes SRSQ is the sense of 'grief-work' embedded in the sound. Following the tragic loss of her collaborator in the Ghost Ship fire, Ashlyn's solo work has become a vessel for processing profound trauma. This is not quiet or shrinking music; it is maximalist and brave, using huge reverb tails and dense vocal layering to create a sonic cathedral where sorrow is allowed to be loud and majestic. It shares the DNA of 4AD's classic roster but feels urgently modern.
Start with the album 'Ever Crashing' for a more polished, widescreen version of her vision. If you want something more raw and claustrophobic, 'Unreality' captures the immediate aftermath of loss with haunting precision. It is music for people who want to feel the full weight of their emotions rather than escape them.
SRSQ (pronounced "seer-skew") is the solo musical project of American singer and keyboardist Kennedy Ashlyn. Ashlyn started making music under the name Them Are Us Too in high school, later expanding the group to a duo after meeting Cash Askew in college. After releasing one album together, Askew died in the Ghost Ship warehouse fire in 2016. Ashlyn retired their shared name and started working as SRSQ the following year. Under the name, Ashlyn has released two albums, Unreality (2018) and Ever Crashing (2022). SRSQ's dream pop-centric sound has drawn comparisons to bands such as Cocteau Twins.
Shares dream pop, darkwave, shoegaze (subgenres); reverb heavy, layered dense, analog warmth (production style)
Shares dream pop, darkwave, shoegaze (subgenres); reverb heavy, layered dense, analog warmth (production style)
Shares dream pop, darkwave, art pop (subgenres); reverb heavy, layered dense, analog warmth (production style)
Shares fog, cathedral, midnight (atmosphere); reverb heavy, layered dense, analog warmth (production style)
Shares dream pop, darkwave, shoegaze (subgenres); reverb heavy, layered dense, analog warmth (production style)
Shares dream pop, darkwave, shoegaze (subgenres); reverb heavy, layered dense, analog warmth (production style)
Shares dream pop, darkwave, shoegaze (subgenres); reverb heavy, layered dense, analog warmth (production style)
Shares dream pop, darkwave, art pop (subgenres); melancholic, haunting, vulnerable (moods)
Shares dream pop, darkwave, shoegaze (subgenres); fog, cathedral, midnight (atmosphere)

Shares dream pop, darkwave, art pop (subgenres); reverb heavy, layered dense, analog warmth (production style)
Shares ethereal wave, shoegaze, darkwave, dream pop (signature)
Shares shoegaze, wall of sound, darkwave, dream pop (subgenre)
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