Rock · FR · Active since 1974

Rockets

Robotic vocals and soaring analog synths from a band of silver-skinned aliens. High-energy space rock that feels like a 1970s vision of the year 2000.

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Intro

Rockets represent the absolute peak of 1970s and 80s space-age kitsch, blending the theatricality of glam rock with the emerging pulse of electronic disco. Their sound is defined by heavy vocoder processing that turns human voices into alien transmissions, backed by driving rhythms and shimmering synthesizer leads. It is music that feels both vintage and futuristic, like a lost soundtrack to a high-budget European sci-fi epic.

What makes them truly distinctive is the commitment to the 'alien' persona. Beyond the silver skin and lamé suits, the music utilizes specific electronic textures - metallic arpeggios, sweeping filter effects, and star-shaped guitar melodies - that create a sense of extraterrestrial wonder. They bridge the gap between the experimentalism of Kraftwerk and the danceable accessibility of Giorgio Moroder.

Start with the 1980 album 'Galaxy'. It is their definitive statement, capturing the perfect balance between rock energy and electronic precision. Tracks like 'Galactica' showcase their signature vocoder hooks and the infectious, driving energy that made them superstars in Italy.

Rockets is a French space rock band that formed in Paris in 1974 and relocated to Italy in 1978. In their most successful era (1977–1982) the line-up comprised vocalist Christian Le Bartz (1951-2025), bassist and vocalist "Little" Gérard L'Her (1952), guitarist and keyboardist Alain Maratrat (1956-2025), drummer and percussionist Alain Groetzinger (1955), and keyboardist Fabrice Quagliotti (1961). Their initial genre was rock, immediately defined by the press as 'space rock' due to the sci-fi veins in the lyrics, the electronic sounds and the stage appearance. Later it was instead associated with 'disco music' and finally 'synth-pop'. The Rockets never had any significant success abroad, except in a few countries such as Italy. Mainly responsible for the band's success in Italy was producer Maurizio Cannici, manager of CGD-Messaggerie Musicali, who, in 1978, after seeing them perform in a discotheque in Cannes, succeeded in making them celebrities in that country. In the same year, the group held their first concert in Italy, at the Pesaro Summer Show. Contributing most to their popularity in Italy was the performance they gave a short time later at the Teatro Lirico in Milan. The group's vocals were heavily processed to sound like they were from another world. The group used distinctive spatial aesthetics of lamé suits, musical instruments shaped like stars and faces painted in silver. Already during their early concerts, the group made use of eccentric and elaborate choreography, for instance ‘landing’ on stage from small spaceships, using smoke bombs and lasers. The group's daring set designs led to some controversial episodes. During an episode of Discoring in April 1979, during the performance of "Electric Delight", singer Christian Le Bartz, fired incendiary firecrackers into the audience with a fake bazooka, inadvertently hitting a girl in the face and burning the audience's clothes (this would later become known). Similarly, during the spring of the same year, the band's choreography led to some injuries in the audience during a performance at a Riccione nightclub. The band went through a number of name changes very early in their career and in later years, being known as Les Rockets, Rocket Men and Rok-Etz, among others. In the year 2000, Fabrice Quagliotti decided to reform the band (initially with the name Rockets N.D.P.), but with a totally new line-up. This brought to an anomalous situation, as far as none of the former members agreed to hold a reunion. In fact, the last former member to leave the band was Alain Maratrat, in 1992.
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Our Catalog16 Albums · 1976 · 2024
Known ForWeighted across the artist's discography. Tap a trait for examples.
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