Electronic · US · Active since 2018

Princess Goes

Theatrical, synth-heavy art rock that feels like a neon-lit noir film. Moody baritone vocals meet kaleidoscopic electronic textures for a late-night urban pulse.

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Intro

Princess Goes creates a sound they call 'kaleidoscopic sound weather,' and it is an apt description. It is music that feels like it is constantly shifting its atmospheric pressure, moving from dense, foggy synth-pop to crystalline, sharp-edged art rock. The foundation is built on heavy, organic drumming and a massive array of vintage and modern synthesizers that create a lush, often eerie backdrop.

What truly sets them apart is the vocal presence of Michael C. Hall. Eschewing the typical indie-rock mumble, he delivers a performance that is deeply theatrical, ranging from a rich, resonant baritone to a haunting falsetto. It is a vocal style that feels inherited from the likes of David Bowie or Bryan Ferry, bringing a sense of high drama and emotional stakes to electronic arrangements that might otherwise feel cold.

Start with their debut full-length, 'Thanks for Coming.' It perfectly captures the transition from their experimental early EPs into a more cohesive, driving sound. Tracks like 'Ketamine' showcase their ability to blend dark, introspective lyrics with infectious, pulsing rhythms that demand a late-night, high-volume listen.

Our Catalog3 Albums · 2020 · 2023
Known ForWeighted across the artist's discography. Tap a trait for examples.
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