
Ethereal baroque pop with a sharp, sardonic edge. Crystalline synths and deadpan vocals create a world that feels like a haunted nursery rhyme for lonely adults.
Princess Chelsea is the stage name of New Zealand musician, producer, and visual artist Chelsea Lee Nikkel. Associated with the Lil' Chief Records collective, she has released five albums spanning indie, baroque, and synth-pop styles. A former member of The Brunettes and Teenwolf, she is a Taite Music Prize winner. Currently, she performs as a bassist for the rock trio Hang Loose and contributes to the Paul McCartney tribute project Disciples of Macca.
Shares indie pop, synth-pop, chamber pop (subgenres); bedroom production, analog warmth, reverb heavy (production style)
Shares indie pop, chamber pop, synth-pop (subgenres); breathy, deadpan, gentle (vocal style)
Shares indie pop, chamber pop, synth-pop (subgenres); wistful, melancholic, playful (moods)
Shares dream pop, indie pop, synth-pop (subgenres); breathy, deadpan, gentle (vocal style)
Shares indie pop, dream pop, chamber pop (subgenres); bedroom production, orchestral arrangement, analog warmth (production style)
Shares indie pop, synth-pop, dream pop (subgenres); bedroom production, analog warmth, reverb heavy (production style)
Shares indie pop, synth-pop, chamber pop (subgenres); bedroom production, analog warmth, reverb heavy (production style)
Shares indie pop, dream pop, chamber pop (subgenres); reverb heavy, orchestral arrangement, analog warmth (production style)
Shares indie pop, dream pop, synth-pop (subgenres); breathy, deadpan, gentle (vocal style)
Shares glockenspiel, baroque pop, violin, library (signature)
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