High-speed vampiric black metal meets cheap synth whimsy. A blown-out, lo-fi rush for those who like their darkness with a side of goblin-mode mischief.
Old Nick sounds like a haunted Sega Genesis cartridge found in a dumpster behind a medieval castle. It is a frantic, high-energy collision of raw black metal aggression and the chirpy, plastic melodies of 90s dungeon synth. The production is intentionally thin and distorted, creating a 'blown-out' effect that makes the music feel like it is bursting out of a cheap cassette player.
What truly sets them apart is their sense of humor and whimsy, which is rare in the often self-serious world of black metal. They embrace a 'vampiric kitsch' aesthetic, using bright synth leads that sound like toy keyboards to carry melodies that are surprisingly catchy. It is music that feels both ancient and digital, menacing and ridiculous all at once.
Start with 'Crisp Winter Dawn of My Night Moon' to experience their peak balance of melodic synth-hooks and raw metal intensity. It is the perfect introduction to their specific brand of 'goblin-core' energy that has made them a cult favorite in the underground USBM scene.
Shares black metal, lo fi, lo-fi hip-hop, winter (subgenre)
Shares dungeon synth, black metal, lo-fi hip-hop, tape saturation (signature)
Shares dungeon synth, black metal, tape saturation, forest (signature)
Shares black metal, lo fi, winter, tape saturation (subgenre)
Shares eerie, black metal, winter, tape saturation (mood)
Shares eerie, black metal, lo fi, winter (mood)
Shares black metal, lo fi, winter, forest (subgenre)
Shares black metal, lo fi, winter, forest (subgenre)
Shares black metal, lo fi, cabin in woods, winter (subgenre)
Cassette uses generative AI to enrich its catalog. How we use AI →