Jagged, high-tension noise punk from Memphis. Atonal synths and motorik rhythms create a disorienting, high-energy soundtrack for urban anxiety.
Nots deliver a sound that feels like a live wire sparking in a dark room. It is fast, aggressive, and intentionally abrasive, rooted in the Memphis garage tradition but mutated by a love for experimental noise. The music is driven by a relentless rhythm section that provides a stable floor for jagged, atonal guitar runs and synthesizer squalls that sound like a malfunctioning shortwave radio. It is punk that values texture and tension over traditional melody.
What truly sets them apart is the 'weird' factor. While many garage bands lean into retro-rock tropes, Nots use disorienting layers of reverb and cold, mechanical synth lines to create a sense of modern paranoia. Natalie Hoffmann’s vocals are often delivered with a sharp, rhythmic intensity that cuts through the sonic murk, creating a listening experience that is both physically kinetic and mentally taxing in the best way possible.
Start with their 2016 album 'Cosmetic' if you want to hear the band at their most expansive and psychedelic. If you prefer something leaner and more direct, their 2019 self-titled '3' strips the sound down to its muscular, trio-based essentials without losing any of the characteristic bite.
Nots are a three-piece noise-punk band from Memphis, who released their debut album We Are Nots in 2014 and have toured North America and Europe. The band are fronted by Natalie Hoffmann (vocals/guitar) with Charlotte Watson (drums), Alexandra Eastburn (keyboards) and Meredith Lones (bass). The band are signed to Goner Records in North America and Heavenly in Europe.
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