Miss Construction

Miss Construction sounds like a high-speed collision between a horror movie soundtrack and a futuristic warehouse rave. The music is defined by punishing, four-on-the-floor electronic beats, jagged synthesizer lines that cut through the mix like a serrated blade, and vocals so heavily processed they sound like a transmission from a malfunctioning cyborg. It is loud, unapologetic, and built entirely for movement.

What sets this project apart is the specific sense of 'demented' fun injected into the harsh industrial template. While many aggrotech acts lean into pure nihilism, Miss Construction embraces a campy, theatrical darkness. It is the sonic equivalent of a grindhouse film: gritty, violent, and over-the-top, yet delivered with a knowing smirk and a relentless rhythmic precision that keeps the energy peaking from start to finish.

Start with the album 'Kunstprodukt' to hear the project at its most iconic. It perfectly captures the transition from the darker, more melodic work of Chris Pohl's other projects into this unfiltered, aggressive alter-ego. It is the ideal gateway for anyone who wants their electronic music with a heavy dose of distortion and a high-velocity pulse.