
Velvety Hammond B3 grooves and thoughtful piano melodies. Soulful, sophisticated jazz that feels like a warm conversation in a dimly lit room.
Larry Goldings is a pivotal figure in the modern revitalization of the jazz organ, specifically the Hammond B3. Emerging from the New School jazz program in the late 1980s, he studied under Fred Hersch and Jaki Byard, developing a formidable piano technique before establishing himself as a premier organist.
His sound identity is defined by a 'linear' approach to the organ - inspired by Larry Young - which eschews the typical blues-cliché 'shouting' of the instrument in favor of sophisticated, horn-like melodic lines and complex harmonic voicings. His career is anchored by his long-standing trio with guitarist Peter Bernstein and drummer Bill Stewart, a group that has recorded for decades and is widely considered one of the most influential small groups in contemporary jazz. Beyond the jazz world, Goldings is a highly sought-after session player and collaborator for pop and folk icons like James Taylor and John Mayer, bringing a tasteful, analog-rich keyboard texture to mainstream records. His alter-ego, Hans Groiner, showcases a subversive comedic streak, parodying jazz pretension. Critically, he is lauded for his restraint and his ability to integrate funk and gospel elements without sacrificing harmonic depth.
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