
Absurdist Polish art-rock that parodies every genre it touches. A satirical, high-energy collision of jazz-fusion, punk, and deadpan social commentary.
Kury sounds like a brilliant musical joke that you are finally in on. It is a restless, shapeshifting sound that can pivot from a greasy disco parody to a complex jazz-fusion breakdown without blinking. The music is anchored by Tymon Tymański’s muscular bass work and a sense of instrumental virtuosity that is constantly used to subvert expectations. It feels like a late-night conversation between intellectuals who have decided to start a garage band just to see what happens.
What makes them truly distinctive is their mastery of pastiche. They don't just play rock; they play 'at' rock, mocking the tropes of Polish radio, disco polo, and heavy metal with surgical precision. This isn't just comedy music, though; the underlying musicianship is elite, drawing from the experimental 'Yass' scene of the 1990s. The tension between the silly lyrical content and the serious technical execution creates a unique cognitive dissonance.
Start with the 1998 masterpiece P.O.L.O.V.I.R.U.S. It is the definitive statement of their aesthetic, a concept album that skewers the state of Polish culture while delivering some of the most infectious and strange melodies of the decade. It is essential listening for anyone who likes their rock with a heavy dose of irony and intelligence.
Kury is a Polish post rock group. The band was brought to life in April 1992 by Ryszard Tymon Tymański, a former member of the experimental art performing Totart community (1986-1989) and a later co-founder of the so called yass music scene. Kury played experimental rock music and their style evolved in time towards a more electronic direction. Their first album "Kablox - nieslyna histaria" was recorded in 1994 in Polish Radio Szczecin studios. It contained post rock songs inspired by Frank Zappa, King Crimson, Skeleton Crew and Art Bears. In the following years the band toured Poland, sometimes performing as a quintet with the addition of yass clarinet player Jerzy Mazzoll. In the summer of 1996 Tymanski got together with his long time friend Olaf Deriglasoff, a Tricity based singer and songwriter, to cooperate on the production of a new Kury album. The illustrious P.O.L.O.V.I.R.U.S., released in 1998, was a strong compilation of pastiche songs deriding the condition of Polish popular music. The recording sessions lasted throughout the springtime of 1997, with a lot of renowned yass and alternative Tricity luminaries participating. The record was very well reviewed and marked a considerable breakthrough for the band. After phenomenal drummer Jacek Olter's suicide in January 2001, the band continued to record and tour, putting out the third regular record entitled "100 lat undergroundu". The album, more oriented towards rap and electronics, contained previously recorded Olter tracks and featured a guest performance from a Sunderland based DJ and musician DJ Scissorkicks aka Anthony Chapman. Without Jacek Olter, Kury strived to survive as a live act with Jacek Stromski (former Apteka), Rory Walsh (former Medicine Jar) and Kuba Staruszkiewicz (former Pink Freud) on drums. The last tour took place in December 2003, after which Tymański disbanded the group. In 2011 and 2012 the band played a couple of concerts and went back into a limbo. In autumn 2023 the Gdynia based S7 record label reissued remastered P.O.L.O.V.I.R.U.S. on vinyl, CD and cassette which was received with a wave of wide acclaim. Kury once again returned as a touring act, this time announcing its fourth official album to be issued by the end of September 2025. Modern Kury perform as a quintet with Tymon Tymanski and Olaf Deriglasoff handling bass, guitars and vocals altogether, Szymon Burnos singing and playing keyboards and Alan Kapolka playing drums. The widely acclaimed and lately successfully reissued P.O.L.O.V.I.R.U.S. won a 1998 Fryderyk in the Alternative Album of the Year category and a Machiner '98. As of now, many critics and fans still regard it as one of the most outstanding Polish music achievements of the colorful 90's era.
Shares basement show, dive bar, urban night (atmosphere); playful, rebellious, bittersweet (moods)

Shares lo fi, sample based, live recording (production style); art rock, alternative rock (subgenres)
Shares basement show, dive bar, urban night (atmosphere); playful, rebellious (moods)

Shares playful, rebellious, bittersweet (moods); lo fi, sample based, live recording (production style)
Shares lo fi, sample based, live recording (production style); playful, rebellious (moods)
Shares art rock, alternative rock (subgenres); dive bar, basement show, urban night (atmosphere)
Shares playful, rebellious, bittersweet (moods); basement show, urban night, dive bar (atmosphere)
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