KINGS creates a sound that feels like a private conversation happening in the middle of a neon-lit dance floor. It is deeply rooted in the 'sad girl' and 'sad boy' pop aesthetics of the 2020s, where vulnerability is paired with high-gloss electronic production. The music often balances skeletal, moody verses with choruses that hit with a surprising amount of bass-heavy weight.
What sets this artist apart is the contrast between the DIY intimacy of the songwriting and the professional sheen of the beats. There is a heavy reliance on vocal processing that makes the singer sound both close enough to whisper in your ear and distant enough to be a digital ghost. It is music for the chronically online, capturing the specific anxiety and romance of modern connection.
Start with 'Different States' or '6' to get a sense of the evolution from stripped-back bedroom beginnings to a more expansive, club-adjacent sound. It is perfect for anyone who wants their pop music to feel like a secret shared between friends.
Shares late night, urban night, rainy day (atmosphere); vulnerable, bittersweet, confident (moods)
Shares electropop, dance-pop, indie pop (subgenres); late night, urban night, rainy day (atmosphere)
Shares electropop, dance-pop, indie pop (subgenres); vulnerable, bittersweet, confident (moods)
Shares vulnerable, bittersweet, confident (moods); electropop, dance-pop (subgenres)
Shares electropop, dance-pop, indie pop (subgenres); vulnerable, bittersweet, nostalgic (moods)
Shares vulnerable, bittersweet, nostalgic (moods); late night, urban night, rainy day (atmosphere)
Shares late night, urban night, rainy day (atmosphere); electropop, indie pop (subgenres)
Shares electropop, dance-pop, indie pop (subgenres); breathy, vocal layering, processed (vocal style)
Shares electropop, dance-pop, indie pop (subgenres); late night, urban night, rainy day (atmosphere)
Shares late night, urban night, rainy day (atmosphere); electropop, indie pop (subgenres)
Shares sub-bass heavy pop, late night, breathy, electropop (detail)
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