
Crisp, virtuosic drumming meets the dusty soul of Detroit hip-hop. Sophisticated beat-work that feels like a live jazz trio playing inside a sampler.
Karriem Riggins is a pivotal figure in the bridge between the Detroit hip-hop scene and the global jazz establishment. Born into a musical family (his father Emmanuel Riggins played with Grant Green), Karriem's career arc is dual-tracked.
He established himself as a premier jazz drummer in the 1990s, touring with Betty Carter and Ray Brown, while simultaneously becoming a key architect of the 'Soulquarians' era sound. His close association with J Dilla was foundational; Riggins was entrusted to complete Dilla's final album, 'The Shining,' cementing his role as a guardian of the Detroit production legacy. His solo work, particularly on Stones Throw Records, reimagines the instrumental hip-hop album as a jazz percussionist's playground. Critically, he is viewed as a 'musician's producer,' respected for his ability to translate complex rhythmic concepts into accessible, groove-heavy tracks. His influence extends into the highest tiers of pop and rock, evidenced by his collaborations with Paul McCartney and Kanye West, and his work in the supergroup August Greene alongside Robert Glasper and Common. He remains a primary influence on the 'modern jazz-hop' movement, serving as a direct link between the bebop tradition and contemporary beat culture.
Shares drums, abstract hip-hop, nu jazz, upright bass (signature)
Shares funk, nu jazz, upright bass, soulful (subgenre)
Shares hand_played, abstract hip-hop, nu jazz, instrumental_only (production)
Shares post-bop, nu jazz, upright bass, spoken_word (subgenre)
Shares hand_played, drums, abstract hip-hop, nu jazz (signature)
Shares hand_played, abstract hip-hop, nu jazz, soulful (signature)
Shares funk, abstract hip-hop, nu jazz, soulful (subgenre)
Shares post-bop, nu jazz, upright bass, instrumental_only (subgenre)
Cassette uses generative AI to enrich its catalog. How we use AI →