
Rhythmic, tactile piano pieces modified with tape and metal to sound like a clockwork orchestra. Intimate acoustic textures for deep focus and quiet curiosity.
Hauschka creates music that feels like peering into the inner workings of a Victorian automaton. By placing objects like bottle caps, felt, and rubber between the strings of his piano, Volker Bertelmann transforms a familiar instrument into a one-man percussion ensemble. The result is a sound that is simultaneously organic and mechanical, blending the elegance of classical composition with the jittery, rhythmic heart of electronic music.
What makes this project truly distinctive is the 'prepared piano' technique, which gives every note a physical, tactile quality. You can hear the wood of the hammers, the metallic buzz of the strings, and the soft thud of dampened keys. It is music that celebrates the beauty of small, imperfect sounds, turning what could be noise into intricate, melodic vignettes that feel like they are being performed just inches from your ears.
For those new to his work, Ferndorf is the essential starting point, showcasing his ability to blend these percussive textures with sweeping, melancholic melodies. If you prefer something more stripped back and evocative of nature, A Different Forest offers a more traditional but no less moving approach to the instrument.
Volker Bertelmann (born 11 October 1966) is a German composer, pianist and former rapper who mainly performs and records under the name Hauschka. He is best known for his compositions for prepared piano. He won an Academy Award and a BAFTA Award for his score for All Quiet on the Western Front (2022).
Cassette uses generative AI to enrich its catalog. How we use AI →