Crystalline vocals floating over sparse, virtuosic jazz arrangements. Intimate, poetic, and deeply still music for moments of quiet reflection.
Elixir sounds like a conversation whispered in a cathedral. At the center is Katie Noonan's voice, a high, pure soprano that possesses the technical precision of an opera singer but the emotional vulnerability of a folk artist. The music is built on a foundation of silence, with every note from the acoustic guitar or saxophone chosen for its weight and resonance rather than its speed. It is jazz that has been stripped of its urban bustle and replaced with a pastoral, chamber-like stillness.
What makes them distinctive is the radical space they leave in their arrangements. While many jazz trios lean into complexity, Elixir leans into absence. The interplay between the instruments is telepathic, often feeling like a single instrument with multiple voices. They treat lyrics like sacred texts, frequently setting the work of Australian poets to music, which gives their songs a literary depth that transcends standard jazz tropes.
Start with their self-titled debut for a masterclass in intimate songwriting, or dive into 'First Seed Ripening' to hear how they weave complex poetry into accessible, shimmering melodies. It is music that demands your full attention but rewards you with a profound sense of calm.
Elixir is an Australian jazz trio formed in Brisbane in 1997 by Katie Noonan and Nick Stewart from ARIA award-winning, double-platinum selling band george and River Petein. Isaac Hurren joined the group prior to the release of their debut album. Since then Petein and Stewart have left while Stephen Magnusson joined the group on jazz guitar in 2005. To date, they have released two studio albums and have won an ARIA Award. "We’re about freedom and spontaneity, particularly in a live set," explains Noonan.
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