
Blown-out, euphoric noise-pop that sounds like a toy keyboard played through a jet engine. High-energy electronics for basement shows and late-night focus.
Dan Friel creates music that exists at the improbable intersection of harsh noise and bubblegum pop. It is a sound defined by extreme saturation, where every melody is pushed through layers of fuzz and distortion until it glows with a radioactive intensity. Despite the grit, there is an undeniable sense of triumph and joy in the songwriting; these are essentially stadium anthems reconstructed from the scrap heap of discarded electronics and circuit-bent toys.
What truly sets Friel apart is his ability to find clarity within chaos. While his peers in the noise scene often lean into the abrasive or the dark, Friel uses distortion as a celebratory tool. His rhythmic structures are driving and propulsive, often mimicking the energy of a punk rock drummer, while his lead lines possess a sing-song quality that would feel at home in a video game soundtrack if they weren't so delightfully mangled by his gear.
For those new to his world, Total Folklore is the definitive entry point. It captures his signature blend of 'big' sounds and 'small' tech perfectly. It is music for people who want the visceral impact of a loud rock show but prefer the textural possibilities of electronic experimentation. It’s loud, it’s messy, and it’s surprisingly beautiful.
Dan Friel is an American electronic musician based in Brooklyn. Friel was a founding member of Parts & Labor and played with the group until its dissolution in 2012. He began self-releasing solo recordings in 2001, and has since released music on Thrill Jockey Records, Important Records and Night People. In 2005, Friel co-founded Cardboard Records, an independent record label that has released albums by Gowns, Ecstatic Sunshine, Pterodactyl and others. In addition to his own projects, Friel has performed with Tyondai Braxton, Glenn Branca, Damo Suzuki, and Ui. As a solo artist Friel has played or toured with EMA, Fuck Buttons, Dan Deacon, Black Dice, Titus Andronicus, Lightning Bolt, and Dirty Projectors. In 2012, he worked on a string quartet commissioned by the new music ensemble ETHEL. He is currently fronting the band Upper Wilds.
Shares instrumental only, processed (vocal style); glitch (subgenres)
Shares glitch (subgenres); basement show, urban night, focused work (atmosphere)
Shares basement show, urban night, festival (atmosphere); instrumental only (vocal style)
Shares lo fi, noise textured, compressed loud (production style); instrumental only (vocal style)
Shares glitch (subgenres); lo fi, noise textured, bedroom production (production style)
Shares instrumental only, processed (vocal style); glitch (subgenres)
Shares euphoric, energetic, playful (moods); glitch (subgenres)
Shares lo fi, noise textured, compressed loud (production style); basement show, urban night, focused work (atmosphere)
Shares instrumental only, processed (vocal style); basement show, urban night, focused work (atmosphere)
Shares glitch, instrumental only, focused work, electronics/laptop (subgenre)
Shares euphoric, glitch, instrumental only, triumphant (signature)
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