Sun-drenched house music fueled by live jazz chops and heavy synth grooves. High-energy soul for rooftop parties and festival main stages.
Close Counters, the Melbourne-based duo of Allan McConnell and Finn Rees, represent the vanguard of Australia's soul-inflected electronic scene. Emerging from Tasmania, they have cultivated a sound identity defined by the intersection of deep house, broken beat, and nu-jazz.
Their work is characterized by 'dense synths' and 'driving basslines,' often incorporating live instrumentation that elevates their production above standard grid-based electronic music. Their career arc shows a steady ascent from local Tasmanian favorites to international tastemaker darlings, supported by figures like Gilles Peterson. Critically, they are often compared to Kaytranada for their rhythmic swing and Harvey Sutherland for their synth-heavy jazz-funk sensibilities. They sit within a fertile Australian ecosystem that values high-level musicianship within club contexts. Their discography, including standout EPs like 'Refractions' and 'FLUX,' demonstrates a commitment to the 'groove' as a foundational element, blending sample-delic textures with sophisticated, original compositions.

Shares house, nu jazz, disco (subgenres); layered_dense, studio_polished, analog_warmth (production style)
Shares joyful, energetic, euphoric (moods); house, nu jazz, disco (subgenres)
Shares joyful, energetic, euphoric (moods); house, nu jazz, disco (subgenres)
Shares joyful, energetic, euphoric (moods); house, nu jazz, disco (subgenres)
Shares house, disco, funk (subgenres); layered_dense, studio_polished, analog_warmth (production style)

Shares house, nu jazz, disco (subgenres); layered_dense, studio_polished, analog_warmth (production style)
Shares joyful, energetic, euphoric (moods); house, disco, funk (subgenres)
Shares joyful, energetic, playful (moods); disco, funk, house (subgenres)
Shares disco, funk, nu jazz, house (subgenre)
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