Circuit des Yeux

Circuit des Yeux creates music that feels like a physical presence in the room. It is defined by Haley Fohr's extraordinary voice, a deep, operatic baritone that can soar into glass-shattering registers without losing its grounded, earthy power. The sound is a collision of folk intimacy and avant-garde scale, where a simple acoustic guitar melody might suddenly be swallowed by a dissonant orchestral wave or a thick layer of analog distortion.

What makes this project distinctive is the sheer theatricality of the vulnerability on display. Fohr doesn't just sing songs; she inhabits them like a medium, channeling existential dread and human resilience through complex arrangements that bridge the gap between 1960s chamber pop and modern experimental noise. The textures are often dense and murky, yet they retain a crystalline emotional clarity that demands the listener's full attention.

Start with the album -io for a masterclass in how to integrate a full orchestra into experimental songwriting. It represents the peak of her 'grand' era, offering a cinematic experience that is both terrifying and beautiful. If you prefer something more insular and raw, her earlier lo-fi recordings provide a fascinating look at how she used tape hiss as an instrument in its own right.