Mind-bending guitar work that handles the bass and the melody at the same time. Gritty, soulful jazz-funk with a rock and roll heart for late nights and long drives.
Listening to the Charlie Hunter Trio feels like watching a high-wire act where the performer is also juggling and making a sandwich. The sound is anchored by Hunter's uncanny ability to play deep, walking bass lines and fluid, bluesy lead guitar simultaneously on a custom multi-string instrument. It creates a pocket that is incredibly deep, warm, and deceptively full, sounding more like a five-piece ensemble than a lean trio.
What sets this music apart is the sheer physical groove. It is jazz that hasn't forgotten about the hips, leaning heavily into greasy organ-trio aesthetics and funk-rock grit. The interaction between the drums and the guitar is telepathic, often utilizing polyrhythms that feel complex but never academic. There is a tactile, woody quality to the recordings that makes you feel the vibration of the strings and the snap of the snare.
Start with 'Bing, Bing, Bing!' to hear the definitive mid-90s acid jazz influence, or dive into 'Copperopolis' if you want to hear the trio lean into their heavier, rock-influenced tendencies. It is the perfect gateway for people who think jazz is too precious or rock is too simple.
Shares simultaneous bass and lead, funk, post-bop, jazz fusion (detail)
Shares funk, jazz fusion, electric guitar, dry intimate (signature)
Shares jazz fusion, funk, dry intimate, nu jazz (subgenre)
Shares jazz fusion, funk, nu jazz, saxophone (subgenre)
Shares jazz fusion, funk, nu jazz, soulful (subgenre)
Shares jazz fusion, funk, nu jazz, soulful (subgenre)
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