ALL

ALL sounds like a high-speed chase through a suburban neighborhood, fueled by too much coffee and a stack of old comic books. It is music that refuses to sit still, characterized by Bill Stevenson's legendary, busy drumming and Karl Alvarez's lead-style bass playing. The guitars are sharp and jagged, providing a crunchy foundation for melodies that are surprisingly catchy despite their technical complexity.

What truly sets ALL apart is their 'nerd-punk' philosophy. While their peers were often focused on political rage or simple nihilism, ALL leaned into the awkwardness of being a human. They combined the aggression of hardcore with the harmonic sophistication of power-pop and the structural unpredictability of jazz, creating a sound that is as intellectually stimulating as it is physically exhausting.

Start with 'Breaking Things' for their most polished and accessible 90s sound, or dive into 'Allroy Sez...' to hear the frantic, experimental energy of their early years. It is the perfect bridge between the raw power of the 80s underground and the melodic explosion of 90s skate punk.