
A curated journey through rain-slicked streets and orchestral heartache. Stuart Staples’ smoky baritone anchors a world of lush strings and late-night urban noir.
May 4, 2004 · Koch Records
Working for the Man is a masterclass in atmospheric songwriting, capturing the Tindersticks at the height of their powers during the 1990s. The album feels like a sequence of short films, each one set in a different corner of a rain-streaked city after midnight. Stuart Staples' vocals are the centerpiece: a rich, trembling baritone that sounds as though it has been weathered by years of cheap gin and expensive regrets. It is a voice that shouldn't work with grand orchestral backing, yet the friction between his fragile delivery and the band's lush, cinematic arrangements creates a unique kind of tension that few other artists have ever replicated.
How does Working for the Man sound next to the rest of Tindersticks's catalogue?
The instrumentation foregrounds violin notably more than the catalogue usually does.
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