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Ultimate Collection
Singer-Songwriter · 2000 · 20 tracks

Ultimate Collection

A comprehensive map of Mann's evolution from eighties new wave icon to the nineties' premier architect of literate, bittersweet chamber-pop.

September 12, 2000 · Hip-O Records

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Ultimate Collection serves as a definitive sonic bridge between two distinct eras of Aimee Mann's career. It begins with the glossy, synth-driven urgency of 'Til Tuesday, where her voice first emerged as a powerful vehicle for domestic drama and romantic disillusionment. These tracks possess a certain neon-lit eighties sheen, yet they are anchored by a lyrical maturity that far surpassed the typical pop of the era. As the collection progresses into her solo work from Whatever and I'm with Stupid, the synthesizers give way to jangling guitars, intricate bass lines, and the sophisticated production of Jon Brion. This is where Mann truly finds her voice as the patron saint of the smart, cynical, and slightly broken.

Tracklist · 20 Tracks
01
That’s Just What You Are
4:24
02
You Could Make a Killing
3:43
03
You’re With Stupid Now
3:28
04
Wise Up
3:28
05
Driving With One Hand on the Wheel
2:44
06
Long Shot
3:09
07
Choice in the Matter
3:13
08
Voices Carry
4:22
09
Take It Back
2:53
10
Say Anything
4:58
11
Jacob Marley’s Chain
3:01
12
Amateur
4:53
13
All Over Now
3:39
14
Baby Blue
3:52
15
Everything’s Different Now
3:57
16
Sign of Love
3:51
17
The Other End (of the Telescope) (live)
4:17
18
Jimmy Hoffa Jokes
2:31
19
Stupid Thing
4:28
20
I Should’ve Known
4:53
Moments Worth Listening For
the sudden, sharp snare hit that kicks off That's Just What You Are
the hushed, vulnerable bridge in Voices Carry where the synth pads swell and the bass line becomes more melodic
the way the acoustic guitar strumming pattern in I Should've Known creates a sense of frantic, nervous energy
the lush, chamber-pop vocal harmonies that elevate the chorus of Say Anything into something truly cinematic
Reviews
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How does Ultimate Collection sound next to the rest of Aimee Mann's catalogue?

Alto+1.6σ

The vocals lean notably further into alto than the rest of the catalogue.

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