
A twelve-year-old Stevie Wonder pays tribute to his idol Ray Charles with brassy big-band arrangements, earnest early-soul vocals, and sharp harmonica solos.
1963 · Motown
Bright brass and a reedy harmonica crowd around a twelve-year-old voice mimicking his idol. You can hear the sweat of the stage in these eager, swinging big-band grooves.
How does Tribute to Uncle Ray sound next to the rest of Stevie Wonder's catalogue?
The vocals lean far further into alto than the rest of the catalogue.
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