
A skeletal reimagining of Michael Jackson's Motown years. By removing the drums, these mixes expose the raw, prodigious power of a young voice in isolation.
July 24, 2009 · Motown
Listening to this album is like stepping into a time capsule where the gravity has been turned off. By stripping away the rhythmic engine of these Motown classics, the music loses its dancefloor utility but gains a profound, almost ghostly intimacy. You are no longer hearing hits; you are hearing a child in a recording booth, his voice floating over skeletal piano chords and faint, shimmering strings. It is a vulnerable experience that recontextualizes Michael Jackson's early genius as something both more human and more haunting than the polished originals suggested.
How does The Stripped Mixes sound next to the rest of Michael Jackson's catalogue?
The production is built around stripped back than this artist usually allows.
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