
A hyper-technical collision of slap-bass grooves and jagged polyrhythms. Aggressive, conceptually dense, and sonically precise alternative metal.
November 12, 2002 · Epic
A calculated, high-tension exploration of existential frustration and technical precision.
How does The End of All Things to Come sound next to the rest of Mudvayne's catalogue?
The writing leans notably further into existential than the rest of the catalogue.
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