It sounds like a Motown record that's been sitting in a dusty attic since 1971, and it's perfect.
A tender and nostalgic exploration of heartbreak wrapped in the warm glow of classic soul.
Released in 2018, Talking About Mary serves as a definitive introduction to Jalen Ngonda's meticulous soul revivalism. While Ngonda is based in the UK, the EP sounds deeply rooted in the American traditions of Motown and Stax, specifically echoing the sophisticated arrangements of early 70s Marvin Gaye or Al Green. The four-track collection is remarkably cohesive, eschewing modern digital production in favor of a 'live-in-the-room' feel that emphasizes instrumental interplay and vocal dynamics. Critically, the EP was praised for its refusal to rely on pastiche, instead using vintage tools to express genuine emotional stakes. It established Ngonda as a premier talent in the modern soul landscape, bridging the gap between historical reverence and contemporary songwriting. The EP remains a fan favorite for its concise, potent delivery of his signature falsetto and analog warmth.
Put this on for
Rain streaking the window while the record needle finds the grooveDim lamp light casting long shadows across an empty living roomDriving home alone after a date that didn't go as plannedSlow dancing in a kitchen with only the refrigerator light onSipping a neat bourbon while the city hums outsideThat heavy silence right after a breakup phone call endsSunday morning coffee with the blinds still drawn tight
Moments worth waiting for
The effortless transition into a glass-shattering falsetto on the opening track
The way the rhythm section locks into a steady, hypnotic shuffle on track 2
A moment of pure vocal isolation where the instrumentation breathes to let the lyrics land
Sounds like
2018s production with a 1970s soul
Sits beside
Coming Home - Leon Bridges, Victim of Love - Charles Bradley, Changes - Charles Bradley, Tell Me Do You Miss Me - Durand Jones & The Indications
