
Stripped-back acoustic arrangements and raw, unpolished vocals. A snapshot of late-nineties indie folk focused on the quiet struggle of self-improvement.
March 1, 1999 · Acrobat Records (2)
A quiet, resilient hopefulness emerging from a period of deep self-reflection.
How does Still Waiting for Spring sound next to the rest of Matt Nathanson's catalogue?
Early Morning saturates this record far more than the artist's norm.
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