HomeSt. VincentSt. Vincent
St. Vincent
Rock · 2014 · 11 tracks · 40m

St. Vincent

A brilliant collision of jagged, fuzz-heavy guitar riffs and clinical, neon-lit synth-pop. Bold, anxious, and meticulously engineered.

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Futuristic peak

Fuzz-drenched guitar lines collide with clinical, neon-lit synthesizers to shatter the polite chamber-pop of her earlier work. This self-titled monument is the exact point where delicate indie-rock arrangements were incinerated in favor of a highly engineered, robotic funk. By trading organic woodwinds for jagged, industrial grooves, she ceased being a polite multi-instrumentalist and became an imposing, silver-haired high priestess of art-pop. You are left stranded in a beautifully anxious landscape where every calculated distortion pedal and synthetic beat feels like a threat. It remains the definitive, Grammy-winning pivot that transformed her from a cult favorite into a generational icon.

St. Vincent · vs · St. Vincent
Playful+3.0σ

An infectious, playful energy animates the existential dread of the record, wrapping her sharpest anxieties in a theatrical, danceable wit that feels like a party at the end of the world.

Tracklist · 11 Tracks · 40m
01
Rattlesnake
3:35
02
Birth in Reverse
3:16
03
Prince Johnny
4:37
04
Huey Newton
4:38
05
Digital Witness
3:22
06
I Prefer Your Love
3:36
07
Regret
3:22
08
Bring Me Your Loves
3:15
09
Psychopath
3:33
10
Every Tear Disappears
3:16
11
Severed Crossed Fingers
3:42
Moments Worth Waiting For
01RattlesnakeThe opening track 'Rattlesnake' builds its entire groove around a dry, mechanical drum machine pattern and a jagged, synth-like guitar riff.
05Digital WitnessOn 'Digital Witness', a bright, punchy brass arrangement mimics the cold, repetitive nature of online scrolling.
The recording features collaborative rhythm work from Sharon Jones & the Dap-Kings drummer Homer Steinweiss and Midlake drummer McKenzie Smith.
Sits BesideSee all
MASSEDUCTION
MASSEDUCTION
St. Vincent
2017

Shares art pop, anxious, art rock, indie rock (signature)

Extra Playful
Extra Playful
John Cale
2011

Shares art pop, digital_clarity, focused_work, art rock (signature)

Hail Bop
Hail Bop
Django Django
2012

Shares art pop, desert, ethereal, art rock (signature)

Raw Data Feel
Raw Data Feel
Everything Everything
2022

Shares focused_work, anxious, art pop, art rock (atmosphere)

Look Alive
Look Alive
Guster
2019

Shares art pop, digital_clarity, anxious, indie rock (signature)

Noctourniquet
Noctourniquet
The Mars Volta
2012

Shares staccato synth basslines, art pop, digital_clarity, anxious (detail)

Seeds
Seeds
TV on the Radio
2014

Shares art pop, vocal_layering, indie rock, synth-pop (signature)

Content
Content
Joywave
2017

Shares digital_clarity, focused_work, anxious, art rock (signature)

Press to Play
Press to Play
Paul McCartney
1986

Shares art pop, digital_clarity, anxious, synth-pop (signature)

English Graffiti
English Graffiti
The Vaccines
2015

Shares art pop, noise_textured, indie rock, synth-pop (signature)

Reviews
Critic Consensus

Critics warmly celebrated the album for its bold and adventurous songwriting, widely praising how it balances accessible, pop-oriented arrangements with a highly unconventional creative edge. Reviewers were captivated by the music's precise yet vibrant production, which shifts gracefully between moments of arresting beauty and sharp, eccentric energy.

The Guardian5/ 5 stars
“These 11 songs are by far Annie Clark’s most accessible but all retain her signature quirks”
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Drowned in Sound
“Her reality is so much better than ours, and you know what? We’re okay with that. Just so long as we’re still allowed to share in it”
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The Independent4/ 5 stars
“Annie Clark’s fourth album is frequently extraordinary”
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Spin8/ 10
“You cannot imagine anyone else pulling this off. St. Vincent is the work of a true artist”
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Clash
“Every song bashes together classic pop with new surprises, pushing this album into must-have territory”
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Rolling Stone4/ 5 stars
“This album is haunted by isolation, dark hungers, regret and even death. But the playful way these songs contort makes pain feel like a party”
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Pitchfork8.6/ 10
“St. Vincent continues Clark’s run as one of the past decade’s most distinct and innovative guitarists, though she’s never one to showboat”
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Under the Radar
“On a whole, St. Vincent might not be quite as distinctive or as audacious as Strange Mercy. Clark, however, has found a consistency which is rare among artists, stemming from the confidence she has in her voice and vision”
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NME8/ 10
“Clark’s readiness to be freakish and alone has translated into her songwriting, which is bolder than ever”
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The A.V. ClubA-
“A bold, ambitious, and perfectly overstuffed album. It’s also, as its eponymous title suggests, a new defining moment in Clark’s ever-evolving career”
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The Line of Best Fit
“Annie Clark’s self-titled fourth album is the definitive St. Vincent experience, engineered to perfection and stuffed to the gills with bold, fascinating hooks.”
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AllMusic4.5/ 5 stars
“St. Vincent is some of her most pop-oriented work, yet it doesn’t dilute the essence of her music”
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