She

Released in 1994, 'She' represents the most significant stylistic departure in Harry Connick, Jr.'s career. Following a string of multi-platinum traditional pop and big band albums, Connick returned to his New Orleans roots to explore 'Second Line' funk and soul-jazz. Recorded with a core band that emphasized groove over orchestration, the album features heavy use of the Hammond B-3 organ and syncopated percussion. Critics at the time were surprised by the shift, with Rolling Stone noting the move away from the 'crooner' label toward a more aggressive, rhythmic sound. The album is a tribute to the New Orleans sound popularized by artists like The Meters and Professor Longhair, but filtered through Connick's unique harmonic sensibility. It remains a cult favorite among fans who prefer his more experimental, groove-oriented work over his commercial standards.