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Satan’s Graffiti or God’s Art?
Rock · 2017 · 18 tracks · 55m

Satan’s Graffiti or God’s Art?

Black Lips

Eighteen tracks of scuzzy garage rock filtered through a psychedelic, avant-garde lens. Thick with tape hiss, wailing saxophones, and eerie doo-wop harmonies.

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It's like a 60s garage band got lost in a haunted funhouse with a saxophone and Sean Lennon.

A chaotic and ambitious blend of garage-punk energy and psychedelic unease.

Satan’s Graffiti or God’s Art? · vs · Black Lips
Mysterious+2.3σ

Mysterious saturates this record far more than the artist's norm.

Tracklist · 18 Tracks · 55m
01
Overture: Sunday Mourning
0:55
02
Occidental Front
2:49
03
Can’t Hold On
4:52
04
The Last Cul de Sac
3:47
05
Interlude: Got Me All Alone
3:32
06
Crystal Night
3:38
07
Squatting in Heaven
3:00
08
Interlude: Bongo’s Baby
0:31
09
Rebel Intuition
3:02
10
Wayne
4:03
11
Interlude: E’lektric Spider Webz
2:48
12
We Know
4:19
13
In My Mind There’s a Dream
4:15
14
Lucid Nightmare
3:04
15
Come Ride With Me
3:30
16
It Won’t Be Long
2:36
17
Loser’s Lament
4:02
18
Finale: Sunday Mourning
1:06
Moments Worth Waiting For
The chaotic saxophone squall that erupts during the bridge of Occidental Front, breaking the garage-rock tension.
The transition from the somber Overture into the driving, distorted energy of the first proper track.
The way the vocal harmonies on Can't Hold On sound like a haunted 1950s prom band playing in a basement.
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