HomeBon IverSABLE,
SABLE,
Folk · 2024 · 4 tracks · 12m

SABLE,

A raw, stripped-back return to acoustic foundations. Just a creaking guitar, weeping pedal steel, and a voice unpacking years of heavy, quiet grief.

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It sounds like Justin Vernon sitting right in front of you in a drafty cabin, finally apologizing for everything.

An intimate, heavy-hearted reckoning with personal guilt that feels like a quiet sigh of relief.

SABLE, · vs · Bon Iver
Stripped Back+2.3σ

The production is built around stripped back than this artist usually allows.

Tracklist · 4 Tracks · 12m
01
...
0:12
02
THINGS BEHIND THINGS BEHIND THINGS
3:21
03
S P E Y S I D E
3:29
04
AWARDS SEASON
5:16
Moments Worth Waiting For
The sudden, devastating clarity of the dry acoustic guitar entry on S P E Y S I D E, stripping away years of electronic artifice.
The way the pedal steel and fiddle swell together on THINGS BEHIND THINGS BEHIND THINGS, framing Justin Vernon's cracking, unadorned vocal delivery.
The slow, meditative drift of the saxophone during the final minutes of AWARDS SEASON, acting as a gentle, jazz-tinted exhale.
Sits BesideSee all
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From the end.
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Carrie & Lowell
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Pseudomutuality
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2021

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SABLE, fABLE
SABLE, fABLE
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2025

Shares mournful pedal steel swells, pedal steel, slowcore, chamber folk (detail)

FLOWERS for VASES / descansos
FLOWERS for VASES / descansos
Hayley Williams
2021

Shares slowcore, chamber folk, somber, indie folk (subgenre)

On Leaving
On Leaving
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I Can See the Future
I Can See the Future
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Shares slowcore, chamber folk, indie folk, acoustic folk (subgenre)

Sleeping (extended play)
Sleeping (extended play)
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2014

Shares acoustic folk, chamber folk, indie folk, cabin_in_woods (signature)

Reviews
Rolling Stone4/ 5 stars
“Justin Vernon’s first album in six years, SABLE, fABLE, finds the melancholic indie stalwart at his most hopeful and open”
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The Line of Best Fit
“While geared towards granting a pleasant listen throughout, fABLE can suffer from shallow entries and uncharacteristically dated production”
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Pitchfork8.1/ 10
“On his fifth album, Justin Vernon moves out of the shadows and into an unabashedly joyful mindset and soundscape. His music remains as compelling as ever”
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The Observer4/ 5 stars
“This companion album to last year’s Sable EP gives those sorrowful songs a soulful lift, with Vernon’s beautiful falsetto vocals to the fore”
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Sputnik Music
“The record’s most profound and memorable experiences arrive at the hands of the tracks that are not afraid of crossing timelines, the ones that are unafraid of integration and understand there is no returning to the past”
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NME4/ 5 stars
“Fans feared this could be Justin Vernon’s big farewell, but instead his embrace of sunnier climes feels like a new chapter”
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MusicOMH4.5/ 5 stars
“Marks a return to his fragile folk roots”
Under the Radar
“Even for those who may not be in the mood for all this peace and love, it’s hard not to read this album as a personal triumph”
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Clash9/ 10
“A record of rare beauty and hope that fits neatly into the catalogue of an outfit that has never failed to deliver something extraordinary”
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The A.V. ClubA-
“If this is indeed Bon Iver’s epilogue, the band goes out on a high note”
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Paste
“After foregoing the sad troubadour parable, Justin Vernon’s band is the poppiest they’ve ever been on their double-disc fifth album full of uncharacteristically clear songwriting and unfounded vocal collaborations”
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AllMusic2.5/ 5 stars
“Too much of this record sounds like it could have been made by almost anyone and that’s not good, and neither in the end is SABLE, fABLE”
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