
A bizarre 1968 detour into folk-rock and baroque pop. Jarrett sings and plays every instrument, sounding more like Bob Dylan than a jazz virtuoso.
1968 · Vortex Records (2)
An earnest and slightly awkward attempt at 60s folk-rock that feels both dated and strangely intimate.
How does Restoration Ruin sound next to the rest of Keith Jarrett's catalogue?
The vocals lean far further into nasal than the rest of the catalogue.
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