
A neon-soaked debut of fuzz-bass grooves and synth-pop hooks. It sounds like a high-budget 1980s variety show broadcast from a slightly parallel dimension.
It's like if a 1980s synth-pop band was obsessed with David Bowie and also very suspicious of the government.
A high-energy blend of theatrical confidence and underlying social paranoia.
The production is pushed notably harder into tape saturation than this artist usually allows.
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