
Lush orchestral pop from 1962 defined by velvety vocals and shimmering strings. A masterclass in mid-century romanticism and high-fidelity vocal intimacy.
September 17, 1962 · Columbia
A deeply intimate and sophisticated romantic embrace that feels both timeless and perfectly of its era.
How does Rapture sound next to the rest of Johnny Mathis's catalogue?
The instrumentation foregrounds violin far more than the catalogue usually does.
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