
A vibrant, Grammy-winning celebration of jazz, soul, and pop. Sophisticated big-band arrangements meet infectious, hip-hop-influenced grooves and soaring vocals.
Crossover triumph
Heavy brass lines cut through thick, warm electric bass grooves, turning a crowded room into a sunlit street corner. These songs carry the heat of neo-soul and the loose, snapping pocket of hip-hop, but they are built on grand, sweeping horn charts. Your ears follow her voice as it leaps effortlessly over complex chord changes, making intricate big-band arrangements feel as natural and immediate as a whistled melody on a bright afternoon walk.
The vocals lean far further into soprano than the rest of the catalogue.
Critics broadly admired the album's intricate arrangements and its gentle embrace of pop melodies, highlighting Spalding's immense musicality and convincing performances. Yet, while her skills were widely recognized, some reviewers felt the record did not quite succeed in capturing the broader mainstream audience her talents deserve.
“A dazzling player skilled at butterfly-zoo arrangements, the 27-year-old steps toward pop here”Read review
“She’s the kind of artist whose skills absolutely merit a wide audience, but Radio Music Society proves that she hasn’t quite figured out how to capture one”Read review
“Persuasively delivered”Read review
“She has talent as abundant as her Afro”Read review
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